Demo · Thelonious Monk
Examples
Each theme has a site dedicated to the musician it is named after.
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The ground under everything: it changes the site the most.
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In place of the style's accent, in every theme. Deeper by day, softer by night.
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Cheek to CheekGeorgiaSummertimeApril in ParisMoonglowBluesetteSkylarkStardustMistyLullabyTenderlyEmbraceableHot HouseSalt PeanutsMantecaAnthropologyGiant StepsEpistrophyKo-KoA TrainBlue RondoGroovin' HighBirdlandRuby My DearSunny SideCaravanSugar HillBourbon StreetTobacco RoadTenor MadnessAutumn LeavesHoneysuckle RoseMoanin'St. Louis BluesMahogany HallHarlem NocturneSidewinderSpring Is HereGreen ChimneysGreen OnionsSweet BasilWillowJade VisionsGreen Dolphin StreetVermontThe PeacocksDolphin DanceCool Struttin'Blue in GreenBlue BossaFlamenco SketchesBlue SkiesAll BluesBlues for AliceSo WhatKind of BlueBlue TrainBlue LouRound MidnightBlue MonkIvorySepia PanoramaBlack and TanBlack CoffeeSmokeStormy WeatherMood IndigoMidnight SunNocturneMoody's MoodLush LifeDark Eyes
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Works
On Film
Projects
- Minton's PlayhouseThe house piano at Minton's on 118th Street from about 1941, with Kenny Clarke on drums. The after-hours sessions there are where bebop was worked out.(opens in a new tab)
- The Blue Note sessionsRecorded for Blue Note from October 1947 to 1952: Round Midnight, Ruby, My Dear, Well, You Needn't, Misterioso, Epistrophy.(opens in a new tab)
- The Five SpotJuly to December 1957 at the Five Spot Café on the Bowery, with John Coltrane, Wilbur Ware and Shadow Wilson.(opens in a new tab)
- The quartet with Charlie RouseFrom 1959 to 1970, with Charlie Rouse on tenor: the Columbia records and the tours of Europe and Japan.(opens in a new tab)
