John Coltrane (1926–1967) was a saxophonist and composer.
He was born in Hamlet, North Carolina, took up the saxophone in Philadelphia, and served in the Navy in Hawaii in 1945 and 1946 before coming home to play in the city’s bands.
He joined Miles Davis’s quintet in 1955 and left it in April 1960. In 1957, after a spiritual awakening that ended his heroin addiction, he played the Five Spot with Thelonious Monk and recorded Blue Train. Giant Steps followed in 1959, and on My Favorite Things he took up the soprano saxophone.
His own quartet, with McCoy Tyner, Jimmy Garrison and Elvin Jones, played from the early 1960s, and from 1961 on Impulse! Records. He wrote A Love Supreme in the summer of 1964 at his house in Dix Hills, on Long Island, and recorded it in one session in December: four parts, Acknowledgement, Resolution, Pursuance and Psalm.
In June 1965 he recorded Ascension with ten other players. That July the quartet played the festival at Antibes and the Salle Pleyel in Paris, and at Antibes performed A Love Supreme in full; a recording of that night survives. He died of liver cancer in 1967, at forty.
This is a demo site, a tribute built to show what a musician’s page on TJP can hold. Its dates are the demo’s own.
Newsweek, “The New Jazz”, 12 December 1966, p. 108
My goal is to live the truly religious life and express it in my music. If you live it, when you play there’s no problem because the music is just part of the whole thing. To be a musician is really something. It goes very, very deep. My music is the spiritual expression of what I am — my faith, my knowledge, my being.
John Coltrane
quoted in Valerie Wilmer, As Serious As Your Life, p. 31
John [Coltrane] was like a visitor to this planet. He came in peace and he left in peace; but during his time here, he kept trying to reach new levels of awareness, of peace, of spirituality.
Albert Ayler
Newsweek, “The New Jazz”, 12 December 1966, p. 108
There was Coltrane with the lights behind him, beatified. He held out his arms and took me in and I wept like a child.
Marion Brown
quoted in Bill Cole, John Coltrane, p. 193
In short, [Coltrane’s] tone is beautiful because it is functional. In other words, it is always involved in saying something.
Cecil Taylor
DownBeat, 12 April 1962, interview by Don DeMichael
The main thing a musician would like to do is to give a picture to the listener of the many wonderful things he knows of and senses in the universe.
John Coltrane
Projects
The Quartet
McCoy Tyner, Jimmy Garrison and Elvin Jones: the group that recorded Crescent and A Love Supreme, and played Antibes and Paris in the summer of 1965.
Concert halls, festivals, clubs and churches. The quartet travels with its own bass; Ascension asks for a wide stage and a long soundcheck. Tell us the room, the date and the sound you want, and we answer within the week.
