Demo · Dexter Gordon
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Dexter Gordon
Tenor saxophonist. A big, unhurried sound that sat just behind the beat, from the bebop of the forties to Paris, Copenhagen and the Village Vanguard.
The Records
Coming Nights
- Tickets
Go, played whole by a quartet
Village Vanguard, New York
Thursday 22 OCT
- Tickets
Our Man in Paris: Scrapple from the Apple, Willow Weep for Me, Stairway to the Stars
New Morning, Paris
Thursday 5 NOV
The Chase: two tenors, after Gordon and Gray
Jazzhus Montmartre, Copenhagen
Thursday 19 NOV
- Tickets
Round Midnight, the film, with the music played live
Bimhuis, Amsterdam
Thursday 3 DEC
- Tickets
Homecoming: the Vanguard stand of 1976
Ronnie Scott’s, London
Sunday 20 DEC
On Film
In the Press
There was so much love and elation; sometimes it was a little eerie at the Vanguard. After the last set they’d turn on the lights and nobody would move.
Dexter would get up to the microphone, holding his horn horizontally, and he’d say ‘You must remember this, a kiss is still a kiss, a sigh is just a sigh.’ It was a little bit of a shtick, but it was how he approached a song, and I remember that.
Your tone, your sound is inside of you. You hear it before you produce it. The real ingredient of the sound is within the individual—the way he hears things.
Book the quartet
Clubs, concert halls and festivals, with the quartet or as a guest soloist with a big band or an orchestra. Tell us the venue, the date and the room; we answer within two days.


















