Demo · Dexter Gordon
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On his homecoming at the Village Vanguard, 1976; quoted in Dale Chapman, The Jazz Bubble, 2018 Marcus Crowder, There’s no resting for pianist Dave Bass, McClatchy, 24 June 2011 Interview with Les Tomkins, Jazz Professional, 1962

Records
Dates
- Tickets
Go, played whole by a quartet
Village Vanguard, New York
Thursday, October 22, 2026
- Tickets
Our Man in Paris: Scrapple from the Apple, Willow Weep for Me, Stairway to the Stars
New Morning, Paris
Thursday, November 5, 2026
The Chase: two tenors, after Gordon and Gray
Jazzhus Montmartre, Copenhagen
Thursday, November 19, 2026
- Tickets
Round Midnight, the film, with the music played live
Bimhuis, Amsterdam
Thursday, December 3, 2026
- Tickets
Homecoming: the Vanguard stand of 1976
Ronnie Scott’s, London
Sunday, December 20, 2026
Videos
Press
There was so much love and elation; sometimes it was a little eerie at the Vanguard. After the last set they’d turn on the lights and nobody would move.
Dexter would get up to the microphone, holding his horn horizontally, and he’d say ‘You must remember this, a kiss is still a kiss, a sigh is just a sigh.’ It was a little bit of a shtick, but it was how he approached a song, and I remember that.
Your tone, your sound is inside of you. You hear it before you produce it. The real ingredient of the sound is within the individual—the way he hears things.


















