Demo · Dexter Gordon
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Dexter Gordon1962
Saxophoniste ténor. Un son ample et sans hâte, toujours un peu derrière le temps, du bebop des années quarante à Paris, Copenhague et le Village Vanguard.
Dates
22OCTjeudi
Go, played whole by a quartet
Village Vanguard
New York
5NOVjeudi
Our Man in Paris: Scrapple from the Apple, Willow Weep for Me, Stairway to the Stars
New Morning
Paris
19NOVjeudi
The Chase: two tenors, after Gordon and Gray
Jazzhus Montmartre
Copenhagen
3DÉCjeudi
Round Midnight, the film, with the music played live
Bimhuis
Amsterdam
20DÉCdimanche
Homecoming: the Vanguard stand of 1976
Ronnie Scott’s
London
Vidéos
Presse
There was so much love and elation; sometimes it was a little eerie at the Vanguard. After the last set they’d turn on the lights and nobody would move.
On his homecoming at the Village Vanguard, 1976; quoted in Dale Chapman, The Jazz Bubble, 2018 Dexter would get up to the microphone, holding his horn horizontally, and he’d say ‘You must remember this, a kiss is still a kiss, a sigh is just a sigh.’ It was a little bit of a shtick, but it was how he approached a song, and I remember that.
Marcus Crowder, There’s no resting for pianist Dave Bass, McClatchy, 24 June 2011 Your tone, your sound is inside of you. You hear it before you produce it. The real ingredient of the sound is within the individual—the way he hears things.
Interview with Les Tomkins, Jazz Professional, 1962
Programmer le quartette
Clubs, salles de concert et festivals, avec le quartette ou en soliste invité d’un big band ou d’un orchestre. Dites-nous la salle, la date et la jauge ; nous répondons sous deux jours.


















