Demo · Dexter Gordon
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On his homecoming at the Village Vanguard, 1976; quoted in Dale Chapman, The Jazz Bubble, 2018 Marcus Crowder, There’s no resting for pianist Dave Bass, McClatchy, 24 June 2011 Interview with Les Tomkins, Jazz Professional, 1962

Disques
Dates
- Billets
Go, played whole by a quartet
Village Vanguard, New York
jeudi 22 octobre 2026
- Billets
Our Man in Paris: Scrapple from the Apple, Willow Weep for Me, Stairway to the Stars
New Morning, Paris
jeudi 5 novembre 2026
The Chase: two tenors, after Gordon and Gray
Jazzhus Montmartre, Copenhagen
jeudi 19 novembre 2026
- Billets
Round Midnight, the film, with the music played live
Bimhuis, Amsterdam
jeudi 3 décembre 2026
- Billets
Homecoming: the Vanguard stand of 1976
Ronnie Scott’s, London
dimanche 20 décembre 2026
Vidéos
Presse
There was so much love and elation; sometimes it was a little eerie at the Vanguard. After the last set they’d turn on the lights and nobody would move.
Dexter would get up to the microphone, holding his horn horizontally, and he’d say ‘You must remember this, a kiss is still a kiss, a sigh is just a sigh.’ It was a little bit of a shtick, but it was how he approached a song, and I remember that.
Your tone, your sound is inside of you. You hear it before you produce it. The real ingredient of the sound is within the individual—the way he hears things.


















